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Christ and the Soldier
Christ and the Soldier

Christ and the Soldier

Artist (1871 - 1958)
Date1930
MediumGouache, crayon, pastel and ink on paper
Dimensions63.5 × 48.2 cm
ClassificationsMixed Media
Credit LineCollection & image © Hugh Lane Gallery. Donated by the Friends of the National Collections of Ireland, 1956. © The Estate of Georges Rouault.
Object number1063
DescriptionOne of the great religious artists of the twentieth century, Georges Rouault, revived biblical subjects and reinterpreted them in a modern context. The son of a cabinet-maker, Rouault served a five-year apprenticeship as a stained glass artist before deciding to become a painter and entering the École des Beaux-Arts in Paris to study under Gustave Moreau.

The dark contrast and vibrant areas of colour in Christ and the Soldier are instantly reminiscent of stained glass windows. Around 1929 the Passion of Christ became a dominant theme for Rouault and in this work he depicts the moment after the crowning of thorns. Christ wears a red mantle and behind him a Roman soldier stands with a reed, ready to strike. A number of figures peer out of an open window.

When this work was offered to this Gallery in 1942 it was rejected on the grounds that its modernity was blasphemous. The artist Sean Keating was one of its most vociferous opponents. Ironically, two months later, the painting went on loan to an ultra-conservative religious institution, St. Patrick's Seminary in Maynooth, before eventually being accepted by the Gallery in 1956.

On View
On view
Jesus Honni
Georges Rouault
1922
The Deposition
Evie Sydney Hone
c. 1953
The Ninth Hour
Mainie Jellett
1941
The Message
Mary Swanzy
c. 1942
Compostion (Pochoir)
Albert Gleizes
1928
Abstract
Evie Sydney Hone
1925-1930
Composition
Evie Sydney Hone
Composition
Mainie Jellett
1930
Scripture Subject - Design for Stained Glass
Sir Edward Coley Burne-Jones
1885
Head of Christ
Evie Sydney Hone
c. 1949
The Advance Guard
Georges Bertin Scott
1905