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No. 18 "Bringing in Prisoners" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
No. 18 "Bringing in Prisoners" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]

No. 18 "Bringing in Prisoners" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]

Artist (1888 - 1960)
Date1917
MediumLithograph on paper
Dimensions51.3 x 40.5 cm
ClassificationsPrint
Credit LineCollection & image © Hugh Lane Gallery. Donated by the British Ministry of Information. © The Estate of Eric Kennington.
Object number473
DescriptionThis is a planographic print (lithograph) on paper, and is part of a series entitled 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series. There are a total of six lithographs in this particular series, and in total there are ten series. The lithographs are numbered as if the entire ten series are one, so this print is number 18.

All six prints here are presented in monochrome and have a hand-drawn quality with particular attention shown to light and shade. The Gas Mask shows a scene in the trenches as a soldier, bathed in shadow, dons a gas mask. He appears contemplative, aside from his comrades who are grouped in the background, helping each other to secure their masks. Kennington was chiefly concerned with the lives of the men and his focus was on conveying the soldiers in their daily employments. Because of his civilian status, he was confined to camps where, without rank or uniform he saw little of the front line. This seems to have suited Kennington who had a passion for portraying the ordinary soldier. He wrote: “If I am of use, it is in depicting British soldiers in their truest and noblest aspect; of that work I shall never tire.”15 It was a source of frustration for Kennington that many of his and other war artist’s work were subject to the censorship of the Department of Information, who wanted to preserve modest anonymity with regard to the ordinary soldier. He produced many pastel portraits of the men, signed by their subjects, only to have the signatures removed later by censors. For each print in Making Soldiers, Kennington has chosen a central figure, placing him in the foreground. Despite this composition, the soldier remains anonymous as the artist carves out his character through his posture and the details of his uniform, often obscuring his facial features. Kennington shows great sensitivity to the treatment of textiles, allowing the clothes to make the man. Into the Trenches is rich in detail as it shows a soldier running through the dugout. The contrasting areas of light and shadow emphasize different elements of the scene, with light falling on his gun and shadow rendering his face indistinct. Each depicting a different exercise or manoeuvre, the prints are titled concisely, with an economy of words.
Ruth Keating 2014

In the foreground of this print a soldier is depicted in detail from behind. In front of him, in the middle ground a group of men, included some on stretchers, are being escorted by soldiers. In the background there is a sign saying 'Field Dressing Station'.

In 1914, Kennington enlisted with the Kensingtons, the 13th London Regiment. He fought in northern France where he was wounded and sent home in June 1915.
On View
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No. 14 "The Gas Mask" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
No. 14 "The Gas Mask" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
Eric Kennington
1917
No. 17 "Over the Top" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
No. 17 "Over the Top" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
Eric Kennington
1917
No. 16 "Into the Trenches" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
No. 16 "Into the Trenches" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
Eric Kennington
1917
No. 15 "Ready for Service" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
No. 15 "Ready for Service" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
Eric Kennington
1917
No. 13 "Bayonet Practice" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
No. 13 "Bayonet Practice" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Making Soldiers' series]
Eric Kennington
1917
No. 10 "The Triumph of Democracy" [From 'The Great War Britains Efforts And Ideals shown in a series of lithographic prints: 'The Ideals' series]
No. 10 "The Triumph of Democracy" [From 'The Great War Britains Efforts And Ideals shown in a series of lithographic prints: 'The Ideals' series]
William Rothenstein
1917
No. 49 "Advanced Dressing in France" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Tending the Wounded' series]
No. 49 "Advanced Dressing in France" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Tending the Wounded' series]
Claude Shepperson
1917
No. 8 "The End of War" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'The Ideals' series]
No. 8 "The End of War" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'The Ideals' series]
Sir William Nicholson
1917
No. 51 "On Board a Hospital Transport" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Tending the Wounded' series]
No. 51 "On Board a Hospital Transport" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Tending the Wounded' series]
Claude Shepperson
1917
No. 52 "Detraining in England" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Tending the Wounded' series]
No. 52 "Detraining in England" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Tending the Wounded' series]
Claude Shepperson
1917
No. 50 "Casualty Clearing Station in France" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Tending the Wounded' series]
No. 50 "Casualty Clearing Station in France" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Tending the Wounded' series]
Claude Shepperson
1917
No. 54 "Convalescence in England" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Tending the Wounded' series]
No. 54 "Convalescence in England" [From 'The Great War: Britain's Efforts And Ideals shown in a series of lithographic prints: 'Tending the Wounded' series]
Claude Shepperson
1917